![]() ![]() You don't fix IO delays with a negative value. and last I checked some folks based in Gallifrey had an exclusive on that technology and would not license to Avid. If you want to shift stuff forward you need a time machine. This is not how delay compensation works, it adds latency to shift other tracks back in time to line up with the highest latency track. Stop and think about what you are expecting to happen. But I can't get it to work with a negative value. If I set a positive delay value, the playback of the DI track is delayed as expected. All of this routing introduces a few milliseconds of delay which I would like to compensate for with negative delay compensation on the DI track. The scenario I'm working with is the following: an audio track (guitar DI) routed to the audio interface output in the reamp's hardware gears (real tube amp / booth / microphone) and back into pro tools. But there is no way to make it work with a negative value. Has anyone out there been successful in using a negative value in the manual delay compensation field of a given track in the mix window? Positive value actually shifts playback forward. The manual says it has to work fine, but it really doesn't. It would be nice to have some help solving this problem. What a hassle and a buzz kill.I know it has probably been asked before, but I can't get it to work. Speaking of native versus HDX, I also think that it’s pretty lame that the delay compensation for side chaining isn’t incorporated in the native version. Question: can I safely disable delay compensation on the final master buss or aux track that feeds my monitoring? I thought about doing it many times, but I just need to be sure that things always play the same both at my commercial facility and on my native rig at home. Maybe that’s why my HDX system runs out of delay compensation before my native system does. I’ll because I don’t want to use these people again but very often there isn’t a DSP version of the plug-in that I’m using. In fact my sessions are almost always native plug-ins even on my HDX system. I always use native plug-ins on audio tracks and I never mix native plug-ins with DSP plug-ins at all. There’s a few plug-ins that seem to be extra heavy on the delay compensation side. But sometimes I can get it to go green again by disabling something upriver. And the fix is usually disabling a plug-in. I mostly get problems with delay compensation from plugins on the master bus. I don't know, maybe I'm overreacting, but it is annoying that my home studio, which I use a lot as well, seems to never hit the red DC meter, where as my commercial studio HDX system, is almost always in the red.Īny thoughts or links to other threads is apprecated. ![]() What I find very concerning is that maybe a future system will allow more delay compensation that what I have today and if I upgrade, mixes I do today won't sound the same on the new system because the new DC allows for more compensation thus timings could be off somewhere. ![]() I'm looking to find, or start, a thread on how to setup the best strategy for using elaborate routing on HDX, and avoid running the delay compensation in the red.įor example: do you gain anything by putting plugins on a master fader for a buss that feeds an aux track as opposed to putting the plugins directly on the aux track itself?ĪND, when it is OK to be in the red, can the last aux/master buss in the system be the cause of overshooting the DC without causing any problems up stream?
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